Francs Rooster
True Grit Movie 2010 Online Free part 1
But the focus here is resolutely upon Mattie, a remarkably poised, self-confident and, it must be said, entirely humorless girl whose every move and decision is driven by her aim of tracking down Tom Chaney, the man who shot her father. For the audience, Mattie proves her mettle at the outset by completely having her way in negotiations with an experienced horse trader (fantastically well played by Dakin Matthews), thereby leaving no doubt that she’ll be more than able to hold her own with the imposing Rooster (whom she first confronts while he’s occupied in an outhouse), the condescending LaBoeuf (Damon) and even Chaney (Josh Brolin) when she finally confronts him.
Contrasting with the original’s spectacular summer and early autumn Colorado mountain backdrops (the early town scenes were shot in Ridgeway, near Telluride), this time the journey moves from a bleached, dusty community into assorted wild stretches that eventually become inundated by the first snowy dustings of winter. At first shunned by her two companions, who stand to collect rewards if they bring Chaney to justice, Mattie simply won’t go away. After a while, it’s LaBoeuf who takes his leave after having proving oversensitive to Rooster’s bluster.
It doesn’t take long for Rooster to track down the baddies’ lairs, first at a cabin where some nasty mayhem ensues, then around a mountainside where the snaggletoothed Lucky Ned Pepper (Barry Pepper) presides over scruffy gang that temporarily includes Chaney. Rooster’s one-man battle charge against four adversaries in a meadow is reproduced in almost identical fashion to the original film, although the Coens end their telling on a wistful note by reincorporating the book’s coda set in 1903, a quarter-century after the main action.
Although mostly divested of what, in the book, was her rigorously Christian outlook, Mattie is otherwise everything she’s meant to be in Steinfeld’s exceedingly accomplished performance. “True grit” may be what she’s looking for in the man she selects to track down Chaney, but Mattie’s the one who has it in spades: she means—and does–what she says, and there’s not a patronizing man in the Old West who doesn’t learn the cost of misjudging her. Dark haired and clear-eyed, Steinfeld convincingly conveys the character’s refusal to be deterred, without a trace of gamine-like coyness or girlish cuteness. Perhaps Frances McDormand’s performance in “Fargo” represented an implicit model.
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